The freehand landscape painting, one of Chinese painting forms, is based on Chinese traditional culture development. And modern western painting techniques affect Chinese painting a lot, which make Chinese painting present a new form. So through research and analysis, in order to expand more developing space for Chinese freehand landscape painting, it is significant to consider how to combine western culture with it and what need to carry on or give up under the trend of multi-culture.
| Published in | International Journal of Literature and Arts (Volume 5, Issue 4) |
| DOI | 10.11648/j.ijla.20170504.13 |
| Page(s) | 35-39 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2017. Published by Science Publishing Group |
Freehand Landscape Painting, Western Painting, Pen and Ink
| [1] | Cui Yue, The influence of western art on Chinese painting, Book and Painting World, 2015, the 3rd issue of | cui yue guangdong academy. |
| [2] | Ye Zhongfeng, On the influence of modern western art thought on Chinese painting, 2016 (2): 12-13. |
| [3] | Xiaoming Xiu, The influence of western painting art on the development of Chinese painting, Group papers, 2016, pp 27. |
| [4] | Jerome Silbergeld. 1987. Chinese Painting Studies in the West: A State-of-the-field Article, pp 12-14. |
| [5] | Max Loehr. 1964. Some Fundamental Issues in the History of Chinese Painting, pp 121-134. |
| [6] | Yang Huidan, The influence of western art thoughts on the painting style of the first three countries of the republic of China, The study of central plains culture, 2009, 17 (1): 160-161. |
| [7] | Li xin, Zhao Liping, Western traditional color culture and its influence on Chinese painting, 2015 (5): 216-218. |
| [8] | Zhang Tianshuang, The influence of modern western painting on the color of Chinese painting, Great view of fine arts, 2014 (8): 51-51. |
| [9] | Gu Mengchen, On the influence of scientific thought and western literary methodology on the traditional art - taking Chinese painting as an example, Literary and artistic theory, 2016 (1): 184 |
| [10] | Fong Wen. 1963. Chinese Painting: A Statement of Method, 2002, pp. 73. |
| [11] | Xf Yue, A brief analysis of the influence of western "realism" on the expression of Chinese painting and painting, Central academy of arts University, 2015. |
| [12] | Joseph Levenson, 1957, The Amateur Ideal in Ming and Early Ching Society: Evidence from Painting. |
| [13] | Lijing Ge, National is the world -- the influence of Western painting on the composition of Chinese painting, Art life, Yiyuan Wenhai, (2), 2016. |
| [14] | Huang Ronghui, The integration and influence of Chinese oil painting and traditional Chinese painting, Art appreciation, 2017 (1). |
| [15] | Xu Yu, On the innovation of contemporary Chinese painting and the integration of Chinese and Western painting, Jilin Arts College, 2015. |
APA Style
Xiaochun Hu, Qiang Meng. (2017). Untraditional Factors Discussion on Modern Freehand Landscape Painting Techniques. International Journal of Literature and Arts, 5(4), 35-39. https://doi.org/10.11648/j.ijla.20170504.13
ACS Style
Xiaochun Hu; Qiang Meng. Untraditional Factors Discussion on Modern Freehand Landscape Painting Techniques. Int. J. Lit. Arts 2017, 5(4), 35-39. doi: 10.11648/j.ijla.20170504.13
AMA Style
Xiaochun Hu, Qiang Meng. Untraditional Factors Discussion on Modern Freehand Landscape Painting Techniques. Int J Lit Arts. 2017;5(4):35-39. doi: 10.11648/j.ijla.20170504.13
Share This Article
Twitter
Linked In
Facebook
Copy
Download@article{10.11648/j.ijla.20170504.13,
author = {Xiaochun Hu and Qiang Meng},
title = {Untraditional Factors Discussion on Modern Freehand Landscape Painting Techniques},
journal = {International Journal of Literature and Arts},
volume = {5},
number = {4},
pages = {35-39},
doi = {10.11648/j.ijla.20170504.13},
url = {https://doi.org/10.11648/j.ijla.20170504.13},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20170504.13},
abstract = {The freehand landscape painting, one of Chinese painting forms, is based on Chinese traditional culture development. And modern western painting techniques affect Chinese painting a lot, which make Chinese painting present a new form. So through research and analysis, in order to expand more developing space for Chinese freehand landscape painting, it is significant to consider how to combine western culture with it and what need to carry on or give up under the trend of multi-culture.},
year = {2017}
}
TY - JOUR T1 - Untraditional Factors Discussion on Modern Freehand Landscape Painting Techniques AU - Xiaochun Hu AU - Qiang Meng Y1 - 2017/08/07 PY - 2017 N1 - https://doi.org/10.11648/j.ijla.20170504.13 DO - 10.11648/j.ijla.20170504.13 T2 - International Journal of Literature and Arts JF - International Journal of Literature and Arts JO - International Journal of Literature and Arts SP - 35 EP - 39 PB - Science Publishing Group SN - 2331-057X UR - https://doi.org/10.11648/j.ijla.20170504.13 AB - The freehand landscape painting, one of Chinese painting forms, is based on Chinese traditional culture development. And modern western painting techniques affect Chinese painting a lot, which make Chinese painting present a new form. So through research and analysis, in order to expand more developing space for Chinese freehand landscape painting, it is significant to consider how to combine western culture with it and what need to carry on or give up under the trend of multi-culture. VL - 5 IS - 4 ER -
Email: